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Typography 31

Fall 2010, Harper Design

The Annual of the Type Directors Club

The Type Directors Club presents its annual showcase of the year's best typographic work in this visually provocative, far-reaching compendium of innovative, successful design strategies.

ZEFIR7

October 2009

Strange Attractors

Een studio in New York én in Rotterdam, lesgeven in Den Haag en Eindhoven, workshops en summerschools leiden: de Strange Attractors ademen ontwerp. Het gaat verder dan kwantiteit: ieder project wordt met overgave aangepakt. Soms overschrijden ze zelfs hun eigen, ruime grenzen: deze week…

Adbusters

2009, #83 (p.23)

A New Aesthetic

Visual art has seen a succession of movements, schools and philosophies: modernism, postmodernism and… now what? A cultural side effect of capitalism is that the act of selling shapes the desires of a culture. We eat the fruit of Apple Inc. because we consider the iPhone delicious. But did we arrive at this…

IdN

2009, v16n3 (p.19-25)

Typography issue:

in their own words

There is nothing strange about Strange Attractors Design, apart from its name. Founded by Ryan Pescatore Frisk and Catelijne van Middelkoop in 2001, it is an international studio that “creates ideas and solutions with a view to influencing culture and commerce”…

Metropolis M

2009

De kunstenaar als homo universalis 2.0

9 september werd het tienjarig bestaan van TENT. feestelijk gevierd met de opening van BLURRR, een tentoonstelling waarbij het fenomeen van de jonge, netwerkende en multidisciplinaire Rotterdamse kunstenaar verkend wordt. Mariette Dölle, artistiek…

étapes:171

August 2009 (p.12-19)

Strange Attractors

é: Combien êtes-vous à Strange Attractors?

SA: Deux, mais considérez-nous comme un “couple de la Renaissance”. Nous réalisons des tâches multiples, de la programmation à l’illustration. Nous enseignons sur la construction d’installations, sur la communication et le design graphique…

items

2009, #2 (p.72-79)

Ornament als Functie | Portfolio

Catelijne van Middelkoop en Ryan Pescatore Frisk zijn decorationalisten pur sang. In hun werk is ornament geen oppervlakkige versiering, maar deel van de boodschap. Voor de presentatie van hun zwierig ornamentele font ‘Brunn’ (2004) maakte Strange…

Design

March 2009, Vol. 369 (p.142-149)

Dutch Graphic Design Takes Over Korea Pt. 1

스트레인지 어트랙터스(Strange Attractors)

솔직히 말해, 개인적으로 네덜란드 디자인이라고 하면 실험적이면서도 철저히 절제된 느낌의 타이포그래피의 활용이라든지 중첩 인쇄 등으로 대표되는 ‘인쇄 기법에 대한 실험’이란 이미지를 선입견처럼 가지고 있었다. 더치 디자인에…

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Awards

2013
European Design Awards:
Silver

2012
European Design Awards:
Bronze

2011
European Design Awards:
Silver

2010
European Design Awards:
Gold & Overall Jury Prize

Art Directors Club Netherlands:
Nomination

Type Directors Club New York:
Certificate of Typographic Excellence

Biennial of Graphic Design Brno:
Selection

2009

Type Directors Club New York:
Certificate of Typographic Excellence

The Netherlands Foundation for

Visual Arts, Design & Architecture:
Project Grant

2008

The Netherlands Foundation for

Visual Arts, Design & Architecture:
Project Grant

Biennial of Graphic Design Brno:
Selection

2007

The Rotterdam Design Prize:
Nomination

Type Directors Club New York:
Certificate of Typographic Excellence (x3)
Judges’ Choice (TDC53)

European Design Awards:
Finalist

2006

Design Award of the

Federal Republic of Germany:
Nomination

ID Magazine:
ID Forty

Red Dot Award:
High Quality in Communication Design

2005

Type Directors Club New York:
Certificate of Typographic Excellence (x2)

2004

Type Directors Club New York:
Certificate of Typographic Excellence
Judges’ Choice (TDC2)

Art Directors Club New York:
Selection ADC Young Guns 4

Biennial of Graphic Design Brno:
Selection

2003

Type Directors Club New York:
Certificate of Typographic Excellence (x2)

Dutch Design Awards:
Nomination

Art Directors Club New York:
Distinctive Merit Award (ADC82)